Rush Hour 2 movie review & film summary (2001)

 "Rush Hour" (1998) made unknown countless bucks, motivating this sequel. The first movie was improved a comic connection in between Jackie Chan and Chris Tucker, as odd-couple police officers from Hong Kong and Los Angeles. It was amusing because effort entered into the screenplay and the feats. It wasn't amusing because Chris Tucker isn't amusing whenever he opens up his mouth--something he proves generously in "Rush Hour 2," where his unlimited rants resemble an support about the ankle joints of the wit.

Jackie Chan grumbled, I listen to, that the Hollywood filmmakers didn't give him time to make up his usual elaborately choreographed feats in "Rush Hour 2," choosing much shorter ruptureds of activity. Regrettable Brett Ratner, the supervisor, didn't focus rather on shortening Tucker's discussion scenes. Tucker plays an L.A. cop that on the proof of this movie is a race-fixated motormouth that makes it a factor of being as loud, offending and oblivious as he potentially can be.

There's an idea amongst some black comics that target markets find it amusing when they introduce extended disrespects versus white individuals (see also Chris Rock's humiliating outburst in the forthcoming "Jay and Quiet Bob"). My feeling is that target markets of any race find such scenes uncomfortable and unwelcome; I've never ever listened to giggling throughout them, but have noticed an unpleasant awareness in the theater. Implicating complete strangers of being racist is hostile, aggressive, and not amusing, something Tucker shows to a unpleasant level in this movie--where the filmmakers obviously did not have the nerve to request him to call down.

There is one scene that truly grates. The Tucker personality discovers himself in a Las vega gambling establishment. He tosses a wad of money on a craps table and is provided a pile of $500 chips. He is upset: It's racist for the gambling establishment to give him $500 chips rather than $1,000 chips, the dealer does not think a black guy can afford $1,000 a toss, and so on., and so on. He continues in a shrill tirade versus the dealer (Saul Rubinek). The dealer answers every spoken attack smoothly and securely. What's remarkable about this scene is how we determine with the dealer, and how manifestly the Tucker personality is acting such as a the seven-letter word for "jerk." Rubinek victories the trade.

The movie starts with Tucker and Chan mosting likely to Hong Kong vacationing after their experiences in the previous movie. Quickly they're associated with a brand-new situation: A bomb has gone off in the American consular office, killing 2 individuals. Their examination leads first to the leader of a regional criminal offense triad (John Only) and after that to an American Mr. Big (Alan King). Sexual magnetism is provided by Roselyn Sanchez, as an undercover representative, and Zhang Ziyi, from "Bending Tiger, Hidden Dragon," as a fighting styles competitor.

Jackie Chan is amazing customarily in the activity sequences, and Zhang Ziyi has hand-to-hand combat with Chris Tucker in a scene of great power. There are the usual Chan-style feats, consisting of one where the heroes hang over city roads on a versatile bamboo post. And a pair of those minutes, over in a blink, where Chan combines elegance, ability and timing (in one, he slides through a teller's cage, and in another he appears to stroll up a scaffolding). Provided Chan's average regulate of English, it is innovative to construct a series that silences him with a grenade taped inside his mouth.

But Tucker's scenes finally wear us down. How can a movie permit him to be so obnoxious and make no acknowledgment that his habits is aberrant? In a bar run by Hong Kong gangsters, he jumps on a table and shouts, "OK, all the triads and ugly ladies on one side, and all the fine ladies on the various other." He is the essential Ugly American, and that is not amusing.

One guideline all comedians should know, and some need to learn by hand, is that they aren't funny--it's the material that obtains the chuckles. Another guideline is that if you are the top canine on a movie set, everyone is mosting likely to claim to make fun of everything you do, so anybody that informs you it is not that amusing is attempting to do you a support.

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Rush Hour 2 movie review & film summary (2001)

 "Rush Hour" (1998) made unknown countless bucks, motivating this sequel. The first movie was improved a comic connection in between Jackie Chan and Chris Tucker, as odd-couple police officers from Hong Kong and Los Angeles. It was amusing because effort entered into the screenplay and the feats. It wasn't amusing because Chris Tucker isn't amusing whenever he opens up his mouth--something he proves generously in "Rush Hour 2," where his unlimited rants resemble an support about the ankle joints of the wit.

Jackie Chan grumbled, I listen to, that the Hollywood filmmakers didn't give him time to make up his usual elaborately choreographed feats in "Rush Hour 2," choosing much shorter ruptureds of activity. Regrettable Brett Ratner, the supervisor, didn't focus rather on shortening Tucker's discussion scenes. Tucker plays an L.A. cop that on the proof of this movie is a race-fixated motormouth that makes it a factor of being as loud, offending and oblivious as he potentially can be.

There's an idea amongst some black comics that target markets find it amusing when they introduce extended disrespects versus white individuals (see also Chris Rock's humiliating outburst in the forthcoming "Jay and Quiet Bob"). My feeling is that target markets of any race find such scenes uncomfortable and unwelcome; I've never ever listened to giggling throughout them, but have noticed an unpleasant awareness in the theater. Implicating complete strangers of being racist is hostile, aggressive, and not amusing, something Tucker shows to a unpleasant level in this movie--where the filmmakers obviously did not have the nerve to request him to call down.

There is one scene that truly grates. The Tucker personality discovers himself in a Las vega gambling establishment. He tosses a wad of money on a craps table and is provided a pile of $500 chips. He is upset: It's racist for the gambling establishment to give him $500 chips rather than $1,000 chips, the dealer does not think a black guy can afford $1,000 a toss, and so on., and so on. He continues in a shrill tirade versus the dealer (Saul Rubinek). The dealer answers every spoken attack smoothly and securely. What's remarkable about this scene is how we determine with the dealer, and how manifestly the Tucker personality is acting such as a the seven-letter word for "jerk." Rubinek victories the trade.

The movie starts with Tucker and Chan mosting likely to Hong Kong vacationing after their experiences in the previous movie. Quickly they're associated with a brand-new situation: A bomb has gone off in the American consular office, killing 2 individuals. Their examination leads first to the leader of a regional criminal offense triad (John Only) and after that to an American Mr. Big (Alan King). Sexual magnetism is provided by Roselyn Sanchez, as an undercover representative, and Zhang Ziyi, from "Bending Tiger, Hidden Dragon," as a fighting styles competitor.

Jackie Chan is amazing customarily in the activity sequences, and Zhang Ziyi has hand-to-hand combat with Chris Tucker in a scene of great power. There are the usual Chan-style feats, consisting of one where the heroes hang over city roads on a versatile bamboo post. And a pair of those minutes, over in a blink, where Chan combines elegance, ability and timing (in one, he slides through a teller's cage, and in another he appears to stroll up a scaffolding). Provided Chan's average regulate of English, it is innovative to construct a series that silences him with a grenade taped inside his mouth.

But Tucker's scenes finally wear us down. How can a movie permit him to be so obnoxious and make no acknowledgment that his habits is aberrant? In a bar run by Hong Kong gangsters, he jumps on a table and shouts, "OK, all the triads and ugly ladies on one side, and all the fine ladies on the various other." He is the essential Ugly American, and that is not amusing.

One guideline all comedians should know, and some need to learn by hand, is that they aren't funny--it's the material that obtains the chuckles. Another guideline is that if you are the top canine on a movie set, everyone is mosting likely to claim to make fun of everything you do, so anybody that informs you it is not that amusing is attempting to do you a support.

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